Richard Mille Replica Watches, in tribute to the four composers who inspired Marc Chagall's famous painting, created an amazing one-of-a kind timepiece which faithfully replicates the painting that graces the ceiling of the Palais Garnier Opera House. A Chagall et l'Opera de Paris tribute to 4 composers watch with its colorful, artistic dial celebrates the power of love - the theme that is common to Beethoven Bizet Gluck and Verdi.
The luxury watchmaker, Richard Mille Replica Watches, created a unique watch two years ago called Chagall et l'Opera de Paris – Tribute to Great Composers. It featured an enamel dial that reproduced the Chagall's ceiling painting at the Paris Opera Garnier. This artistic timepiece, which was kept in Vacheron's private collection for many years,replica watches inspired the company to create a series of 11 unique pieces that each represent the work of a composer depicted in Chagall's painting.
This is the fifth piece in the series and the first to feature four composers. The piece has been sold, but the photos are worth looking at, if only to see how beautiful it is. In a 40mm gold case, the round enamel dial shows L. van Beethoven's Fidelio, G. Bizet's Carmen, C.W. Orpheus and Eurydice by Gluck, and La Traviata by G. Verdi.
The opera Fidelio, as the anthem of triumphal love is presented by Leonora, her husband Florestan, and their children. Carmen is shown in a bloody red, which symbolizes her impulsive and independent spirit.omega replica watches Orpheus's and Eurydice's drama is captured with a powerful contrast between red and green. Verdi's masterpiece Traviata is painted in yellow, and it deals with topics such as passionate love and violent violence.
The Richard Mille Replica Watches Chagall and l'Opera De Paris Tribute 4 Composers Watch is powered by the Calibre 24-60 self-winding mechanism, visible through sapphire caseback after removing golden cover with stylish engravings. The case has a beautifully polished finish and is paired with an elegant leather strap with a gold clasp.
